Florenza Deniz İncirli


00.
London and Cyprus based artist and researcher, working primarily with moving-image and textual based works engaging with memory, non-linear temporality and ritual performances. 

Informed by an MA Visual Anthropology from Goldsmiths College and the Radical Film School, their lens-based work moves between ethnographic, documentary and experimental film. Alongside a moving image practice, Florenza is deeply committed to alternative pedagogical spaces, and public programming as a site of collective learning. They are the co-founder of Critical Coffee Reading.

Florenza’s work has been screened at SET Woolwich, BFI, Cyprus High Commission, Cyens Thinker Makerspace and Swansea University Egypt Centre amongst others. Most recently, Florenza has been making a short documentary film on the LGBTQ+ Pride Protests in north Cyprus, supported by the Heinrich Böll Stiftung Global Feminist Pitch. They are also currently refurbishing the old Toplum Postası building on Green Lanes, London, turning the defunct newspaper office into a community centre.

Their practice is collaborative, exploratory and multilingual, grounded in community. 

florenzadeniz@gmail.com
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01.they gave me a camera to know where i’m from 

London and Cyprus, 2024
11 minutes


work-in-progress

As part of an ongoing research project, this work-in-progress is an excavation from the director's personal archives. Family videos from the early 2000s, recorded by her journalist father, Serhat İncirli, are assembled to reveal fragments of a politicised familial life. Both father and daughter mediate their experience of the world through film and text. Through repetition, ritual and conversation, this work explores how children in the Cypriot diasporas perceive and experience memory, cultural identity and displacement.


1/2 Image of artist as a baby in London 1998.
2/2 Still from film, young people performing a traditional Cypriot dance in a London park (1998).
02.what we have left III

Lefke, Cyprus
2022
11 minutes 

watch here

An experimental short film, a homage to the haunting scenes of decay, the effects of capitalist slow violence caused by Cyprus Mines Corporation on the region of Lefke. Produced during an artists residency at Cyens Thinker Makerspace, Nicosia. 

1/2    Still from film, overlayed footage of the derelict trains, Lefke. 
2/2     Still from film of a hill post-mining in Lefke.
03.immaterial

Lefke and Nicosia, Cyprus
2022
3D Scans

A digital archive of 3D scans of objects collected from the field site, Lefke, during a 2022 residency at Cyens Thinker Makerspace. Objects include wood from the abandoned Cyprus Mines Corporation train tracks, dried flora and baskets woven in the region.


3D Scan of a basket woven in Lefke.
04.Narlık Sokak [Pomegranate Street]

Deptford and Gazafana, 
2021
20 minutes

watch here

A multi-sited auto-ethnography; exploring the relationality of diasporic and transnational communities in London from the perspective of a queer Cypriot. Utilising Glissant’s theories on opacity, relationality and multiplicity, Narlık Sokak is an experimental film that uses the pomegranate as a symbol of rhizomatic encounters. The film plays with linear conceptions of temporality with the use of personal archive footage from 1997 - 2021, weaving together a narrative of ritual, celebration, community and chosen family. 


Still from film. 
Still from film. 
05.koçum benim [my ram]

Lefkoşa, Gazafana and Gönyeli, Cyprus
2021
11 minutes

watch here

Koçum Benim is an assemblage of personal archive footage from 2019. This film acts as an intimate portrait of Cypriot men, offering an opaque ethnography of post-conflict Cyprus.

Following three generations of the İncirli family, each performing shifting masculinities and their relationship to the land and culture. Filmed before the COVID-19 pandemic and edited during, the meaning of the work itself transformed through several iterations. 


 Still from film, Serhat İncirli driving through north Nicosia. 
Still from film, Sıtkı  İncirli describing the plants in his daughter and son-in-law’s garden.  
Still from film, Ekim İncirli recites his writing in his mother’s Gazafana home. 
06.Critical Coffee Reading

Online and in-person
2024-Present 
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Critical Coffee Reading is a reading and research group founded in 2024 by Florenza Deniz İncirli and Ibrahim Ince. They organise monthly virtual reading sessions, where researchers from across the world sip fortune coffee and discuss what it means to write and read Cyprus, and other coffee-reading geographies. Alongside reading sessions, they have recently begun programming a Crit Café for emerging researchers and artists to connect and provide meaningful, critical feedback on one another's work, alongside in-person public programming in Cyprus and the UK.

Ibrahim Ince and I in Pergama, 2024. Image taken by Arçın Çelikesmer. 
Poster for our first in-person event at Espai. 
Presenting the text for our first in-person event at Espai, Nicosia. 
Overview of Critical Coffee Reading Year One (2024-2025). 
2025 Semester One Critical Coffee Reading Outline
07.still images


2022-Present 



Supermoon in Lefke, April 2022. 
Sand along Golden Beach at dusk, golden beach Karpaz, 2022. 
Sand dune of Karpaz, 2022. 
Sand dune of Karpaz, 2022. 
08.experiments in performance 

London and Cyprus,
April 2024-Present 

Exploring a new medium, particularly an embodied one such as performance, has been particularly challenging and stimulating over the last 19 months. A period of development supported by Arts Council England’s DYCP grant directly enabled not only exploration and experimentation, but also a strengthening of relationships with ongoing collaborators. 

Practicing embodied movement in a workshop with Amani Cosmo. (2024)
Documentation of a tavla-related durational performance with 1000raks. (2024) 
Still from a durational performance / video archiving of seasonal olive-picking. (2025) 
Assisting Tahini Molasses before she recites Rumi during DYCP-supported workshop. (2024)
Still from performance “Benimle oynar mısın?” (Will you play with me?) (2024). 
Tahini Molasses, 1000raks, myself and Amani Cosmo after two-day performance workshops supported by Arts Council England’s Developing Your Creative Practice grant. (2024) 
09.cv*

to read the photographers gallery text, click here.


10.117

Community Centre 
Ongoing 

117 is a multi-purpose community space with a recording studio in the basement, which once housed the now-defunct first Turkish-language newspaper in London; Toplum Postası. With collaborators, volunteers and collectives, we are working to restore it to its former vibrancy through public events, workshops, and a co-working space.  
The view of the street from inside the space. 
Scattered Seeds collective posters framed on the wall. The collective recently hosted a seed-planting event at 117.
A copy of Londra Toplum Postası from 1997, framed in the 117 space. 
The view of the space during a discussion event on Turkish political Islam from the street.
Collaborator Ozan repairing tables in the space, during the clean-up process. 
Portrait of artist-archivist-curator Makella Ama visiting the space. 
Portrait of artist Yorgos Petrou visiting the space. 
11.archival offering




I offer a glimpse into my personal family archive, with this image of my dede Sıtkı İncirli (centre, sat on the chair), Lefke 1971.